葛 飾 北 斎
KATSUSHIKA HOKUSAI
富嶽三十六景
THIRTY-SIX VIEWS OF MOUNT FUJI
Contents
- About Thirty-six Views of Mount Fuji
- When was it produced?
- What is Fugaku Sanjurokkei?
- Why Mount Fuji?
- The beauty of beroai blue fascinates the world
- Highlights of the series
- Woodblock prints list
About Thirty-six Views of Mount Fuji
Series
Thirty-six Views of Mount Fuji
(Fugaku Sanjurokkei)
Artist
Katsushika Hokusai
Total number of prints
All forty-six prints
Thirty-six Views of Mount Fuji (富嶽三十六景, Fugaku Sanjurokkei) is a series of woodblock prints illustrating the various landscapes of Mount Fuji, and it is among the most famous works of ukiyo-e artist Katsushika Hokusai (葛飾北斎: 1760-1849).
The series, as a whole, is also considered to be an iconic representation of the landscape ukiyo-e genre.
Many of you may recognize some of the pieces even if you aren’t familiar with their exact titles.
The famous print of the Great Wave is known to many people around the world, but it is just one of the 46 scenes in the series.

With these intriguing facts, it’s no wonder people around the world find Hokusai’s famous landscape series so inspiring. Of the series, the three prints Under the Wave off Kanagawa (神奈川沖浪裏, Kanagawa Oki Nami Ura), South Wind, Clear Sky (凱風快晴, Gaifu Kaisei), and Rainstorm Beneath the Summit (山下白雨, Sanka Hakuu) have acquired high acclaim both in Japan and abroad as works of exceptional artistic quality; these three are sometimes called the Sandai Yakumono (三大役物, the "three great highlights").

Under the Wave off Kanagawa (神奈川沖浪裏, Kanagawa Oki Nami Ura)

South Wind, Clear Sky (凱風快晴, Gaifu Kaisei)

Rainstorm Beneath the Summit (山下白雨, Sanka Hakuu)
Highlights of the series

1. Beroai
Most of the works of the Mount Fuji series are painted using beroai, and of those prints, ten are aizuri-e, a type of ukiyo-e printed in varying shades of beroai blue.
Aizuri-e is a type of ukiyo-e printed only with different tints and shades of blue or with minimal use of an additional red and/or yellow.

2. Hokusai’s mastery of artistic expression
The woodblock prints capture the various facets of Mount Fuji as it shifts its appearance at every moment depending on the location, season, and weather condition. However, for some prints — most famously the Great Wave — even scholars cannot pinpoint the actual location, meaning that not all the sceneries depicted in the prints were true to life. Many of the works are said to be created through Hokusai’s elaborate imagination inspired by actual views and past works of landmark impressions. What gives this idyllic series its distinct character is that Hokusai depicted Mount Fuji with his remarkable composition skills and mastery of artistic expression. He intentionally altered the arrangement of the pictorial elements to capture the beauty and ferocity of nature.

3. Use of perspective
In the Edo period, ukiyo-e artists typically used tints and shades of colors to create depth; however, in this series of prints, Hokusai made bold and inventive use of European-style perspective — a technique already known in Japan through uki-e ("perspective pictures") since the 1740s.
Hokusai builds a sense of depth in almost every print of the Thirty-six Views of Mount Fuji, combining traditional Japanese composition with vanishing-point and Western-style perspective.
He artfully employed these and a variety of other techniques to highlight Mount Fuji, the primary subject matter, in its full glory.
Hokusai creatively experimented with and adopted daring compositions, eccentric ideas, and many other artistic innovations to keep people engaged in the Thirty-six Views of Mount Fuji. Fugaku Sanjurokkei is a treasure trove of masterpieces. Do enjoy all 46 idyllic impressions of Mount Fuji created by Hokusai.
List of Woodblock Prints

No,1
Under the Wave off Kanagawa also known as The Great Wave off Kanagawa
神奈川沖浪裏, Kanagawa Oki Nami Ura
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No,32
Viewing Sunset over the Ryogokubashi Bridge from the Onmayagashi River Bank
御厩川岸より両国橋夕陽見, Ommayagashi Yori Ryogokubashi Sekiyou Wo Miru
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No,36
Simplified View of Tagonoura Beach at Ejiri on the Tokaido Road
東海道江尻田子の浦略図, Tokaido Ejiri Tagonoura Ryakuzu
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No,38
Mount Fuji seen in the Distance from Senju Pleasure Quarter
従千住花街眺望ノ不二, Senju Hanamachi Yori Chobo No Fuji
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No,39
Mount Fuji from Gotenyama at Shinagawa on the Tokaido Road
東海道品川御殿山ノ不二, Tokaido Shinagawa Gotenyama No Fuji
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No,41
Mount Fuji from the Tea plantation at Katakura in Suruga Province
駿州片倉茶園ノ不二, Sunshu Katakura Chaen No Fuji
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