Kodai moyo yachikusa Chi (Part 2 of 3) by Tsujimoto Goyo / BJ301-742
Kodai moyo yachikusa Chi (Part 2 of 3) by Tsujimoto Goyo / BJ301-742
Kodai moyo yachikusa Chi (Part 2 of 3) by Tsujimoto Goyo / BJ301-742
Kodai moyo yachikusa Chi (Part 2 of 3) by Tsujimoto Goyo / BJ301-742
Kodai moyo yachikusa Chi (Part 2 of 3) by Tsujimoto Goyo / BJ301-742
Kodai moyo yachikusa Chi (Part 2 of 3) by Tsujimoto Goyo / BJ301-742
Kodai moyo yachikusa Chi (Part 2 of 3) by Tsujimoto Goyo / BJ301-742
Kodai moyo yachikusa Chi (Part 2 of 3) by Tsujimoto Goyo / BJ301-742
Kodai moyo yachikusa Chi (Part 2 of 3) by Tsujimoto Goyo / BJ301-742
Kodai moyo yachikusa Chi (Part 2 of 3) by Tsujimoto Goyo / BJ301-742
Kodai moyo yachikusa Chi (Part 2 of 3) by Tsujimoto Goyo / BJ301-742
Kodai moyo yachikusa Chi (Part 2 of 3) by Tsujimoto Goyo / BJ301-742
Kodai moyo yachikusa Chi (Part 2 of 3) by Tsujimoto Goyo / BJ301-742
Kodai moyo yachikusa Chi (Part 2 of 3) by Tsujimoto Goyo / BJ301-742
Kodai moyo yachikusa Chi (Part 2 of 3) by Tsujimoto Goyo / BJ301-742
Kodai moyo yachikusa Chi (Part 2 of 3) by Tsujimoto Goyo / BJ301-742
Kodai moyo yachikusa Chi (Part 2 of 3) by Tsujimoto Goyo / BJ301-742
Kodai moyo yachikusa Chi (Part 2 of 3) by Tsujimoto Goyo / BJ301-742
Kodai moyo yachikusa Chi (Part 2 of 3) by Tsujimoto Goyo / BJ301-742
Kodai moyo yachikusa Chi (Part 2 of 3) by Tsujimoto Goyo / BJ301-742

Kodai moyo yachikusa Chi (Part 2 of 3) by Tsujimoto Goyo / BJ301-742

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  • Wereldwijde verzending
Type : Woodblock print book
Topic : A collection of ancient patterns used in textiles and dyeing.
Title : Kodai moyo yachikusa Chi (Part 2 of 3)
Author : Tsujimoto Goyo
Artist : Tsujimoto Goyo
Publisher : Tanaka Jihe
The estimated Period : Meiji era (1891)
Material : Paper
Book Dimensions : 239mm x 160mm(9.4in x 6.3in)
Weight : Total 141gram (5oz)
Page : Total number of pages is about 60. (Illustrations pages + text pages) Most pages are illustration pages.
Condition : Antique item; (damaged by tear, spot, dirt, scribbles, worm-eaten holes, etc...) Please view pictures as they are a part of the description. 

The work is not a modern reproduction, but an actual one which had been printed in 1891(estimated).

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